Centralia Ballet Academy

Boys Class

Centralia, WA is a small city of a little over 16,000 people located 90 miles from both Seattle and Portland, OR.  Over the past years, the community has dealt with several hardships, including a devestating flood, the closing down of a local coal mine, and the highest unemployment in the state.

Centralia Ballet Academy opened in the fall of 2009.  From the beginning, my wife and I decided that we would include a free boys class as part of our cirriculum.  By the end of that first year, we had a total of 5 boys taking class each Saturday.  By the end of our second, year, we had 18 boys.  Currently, we have 25 boys and young men enrolled in our Saturday classes.  Many of them also take at least one regular class throughout the week.  We have three different level of classes for the guys.  The first one is a regular ballet class for boys ages 8 and older who have taken at least one year of dance, another is a creative movement class for little guys ages 4-7, and the last one is a ballet class for first timers.

The class for the advanced guys builds on their regular dance vocabulary but also focuses on strength training and plyometrics to help improve their leaps and turns.  The little guys class introduces them to movement, musicallity, and very basic dance vocabulary.  Each week, there is a different theme for the class (pirates, The Beatles, science, the 1980′s, Johnny Cash, etc) and we use music and games around that theme.  The class for the rookies is much like a basic Ballet 1 class with added emphasis on strength and endurance building.  Each class concludes with watching a video clip of a famous male dancer.  This is done to not only increase their cultural literacy, but to show them power, grace, and athletecism of the male dancer.  I am really looking forward to choreographing their recital pieces this year.  For the little guys, we will be doing “The Shot Heard ‘Round the World” from School House Rock.  It’s a fun (an educational) song that can incorperate marching, galloping, and other basic dance steps.  For the two older classes, they will be combining to do a ballet piece to Rush’s “Tom Sawyer”.  Not only is this an awesome song, they lyrics really speak about that period of growing from a boy to a young man.  Plus, one of our students is a championship fiddle player.  So we will be replacing the guitar solo with one played live on the fiddle.

Billy Elliot WOrkshop

In addition to their regular classes, I also try to bring in special guest teachers to show the guys that what they learn in class can be applied to other endeavors.  Over the past few years, we have brought in fencing and acrobatics teachers to do special workshops.  Last year, we were lucky enough to have one of the cast members of the touring production of Billy Elliot visit our school and do a master class with our boys.  Later that month, our guys got to see the show in Portland, and go back stage after the show to meet the cast, including the young man playing Billy.  Not only was this the first proffesional production that many of them have ever seen, it was one that spoke directly to them.

Getting to teach these guys each Saturday is an honor and a blessing.  What I truly love about these guys is how they are typical American boys.  They start wrestling with each other as soon as they get in the studio.  They are obssesed with video games and the Fast and Furious movies.  Many of them play on their school’s basketball and football teams.  We also have Boy Scouts and Cival Air Patrolmen.  One of the best images I have about the boys in these classes is seeing some of them come in to class after an early morning of hunting.  They change out of their camo and Carhart’s into their black tights and slippers and take an hour and 15 minutes of class.  Then after class, they change back into their hunting clothes and head back into the woods.

My wife and I both came from towns smaller than Centralia.  However, while she got to dance most of her life, the opportunity for me to take dance classes didn’t happen until after college.  I had interest in trying dance, but was hindered by geography, economics, and just the common wisdom of the day that “boys don’t take ballet.”

Casting Call ~ Performance Opportunity (male ballet dancers)

Hey guys!!!

June 24th, we will be celebrating the 2nd birthday of Barre Boys!  We have an AMAZING event planned!!! The bash will be a 3 hour celebration!  The party will include a reception and gallery, a panel discussion and performance!

For the performance, we want to feature some students and of course professionals.  Essentially, we want to showcase the various levels.  So, if you have a guy or ARE a guy who HAS PERFORMED dancing roles and can do a piece in our event, please reach out to us!  Email us at boys at barreboys dot com.

Also, if you are a business owner, studio owner, choreographer or anyone who would benefit from taking out an ad in our event, please also reach out.  We will be happy to send you info and specs!
Thanks!

 

Event Deets:

June 24th 5-8 pm

Performance Garage 1515 Brandywine St Philadelphia

Tickets will be on sale soon.

 

We will have a tech/run through earlier in the day!

Max Azaro

Max is a 12 y.o. 7th grader at Grover Middle School in West Windsor, NJ.  He has been studying ballet for 3 years with Risa Kaplowitz, owner and director of Princeton Dance and Theater Studio.  In the Spring of 2011, Max was the grand prize winner of the Pointe and Shoot Photo Essay contest hosted by ABT. (photo above)

In December 2011, Max performed the  principal role of Kai in DanceVision’s The Snow Queen , an original, full-length ballet choreographed and directed by Risa Kaplowitz (the first photo is from that performance).  This April, Max will be performing the role of Dickon in The Secret Garden , another original ballet based on the novel and choreographed and directed by Ms. Kaplowitz.

The Philadelphia Dance Academy Boys’ Ballet Scholarship Program

At The Philadelphia Dance Academy (PDA), we believe that ballet is for boys too. To encourage boys to foster a love of dance, all boys enrolled in our coeducational Pre-Professional Division (Ballet I and higher) can take class on scholarship. To date, we have six male students taking advantage of this program, and five other students preparing for Ballet I in introductory levels.

 

In addition to Pre-Professional classes, we offer two levels of free Boys Only Classes, one for ages 6-10, and one for ages 11 and older. No prior dance training is required. Acceptance into the class is by audition.

 

Students who are ages 8 and older and enrolled in 2 or more ballet technique classes also have the opportunity to audition for The Philadelphia Youth Ballet, the youth company of The Philadelphia Dance Academy. Performance fees may apply.

 

Boy’s Program faculty includes Meredith Rainey, choreographer and former soloist with Pennsylvania Ballet. Rainey was on the original faculty at the successful Boys’ Scholarship Program at the Peabody Institute in Baltimore.

 

Visit www.philadelphiadanceacademy.com and www.philadelphiayouthballet.org for more information.

 

photo credit: Stephanie McDowell.

Our Categories

We wanted to take a moment and explain some of our categories for our blog. Some, if not all, may be self explanatory, but here it goes anyway…

First off let me say, we will generate one new post in each category each week.  We will also try to bring you other newsworthy content to fill in the holes as we go.  Our goal is to be a wonderful resource not just ABOUT about men in ballet, but also FOR men in ballet!

Budding Cavalier is just that, young up and coming ballet dancers.  We will profile students and pre-professionals; those who are working towards a career in ballet. We will cover their training, inspiration and any performance experience they may have.

Danseur Profile is a glimpse into the lives and moreso the careers of professional ballet dancers.  We will explore what gets them up, what keeps them up and why they do what the do.  We will uncover why they or how they wound up on this path.  Some will have chosen it, it will have chosen some.

Raising the Barre is about programs, schools, scholarships or really anything or anyone who create an environment or method to inspire boys and young men to aspire to take to the wonderful art of ballet.  They are in fact, raising the barre.

Beyond the Barre…  Well it may be hard to believe but there are dancers who have an identity outside of tights and ballet.  It may be even more unfathomable that they have TIME for a separate identity.  Alas, it is true, some do!  This category delves into that side.  It allows us to see another side of these athletes.

 

In addition to these categories, we will seek out guest bloggers as well as posts on tips.  Lastly, we will be doing monthly blog talk radio program.

Do YOU have suggestions for a feature or content to be covered?  Please let us know!!

Budding Cavalier ~ Cameron Taylor

As a former Principal Dancer with the Charleston Ballet Theatre, I cried when I found I found out that I was having a boy! After all, doesn’t every Ballerina want her little girl to Dance! When I moved to Georgia 3 years ago, I found a little studio in town and signed my Cameron up for Ballet and Tap. He was 4 years old.

 

After the recital that year, he said he didn’t want to dance anymore so I pulled him out. A year later, I got a job teaching for Fever Performing Arts. Cameron had to often come with me, because my Husband is a pilot and is gone for four days at a time. One day while I was teaching Ballet, Cameron said to me, “Mommy, I want to Dance with you guys!”. Shocked, I told him to get to the Barre and show me what you can do. Ever since that day, he takes two to three Ballet classes a week. He will be eight years old in December. Last year he tried out for the Fever Performing Arts Dance Company, and he got in.

Being in the Company he is required to take two Ballet classes a week along with tap, stretch, and hip-hop. He performed a hip-hop solo last year, and won in his age division every single time! His Ballet has really improved his hip-hop and tap. Last Summer, I took Cameron down to Charleston Ballet Theatre to see my old Company dance. He has been there a few times, and he created a bond with two of the guys in the Company. He showed Patricia Cantwell, the director of the Company, his solo, and she offered him a scholarship to this Summer’s Intensive Program. Some times I catch him doing grand jetes or pirouettes around the house.

He loves to Dance!

 

 

Save the Date ~ Barre Boys Turns 2!!!

 

We are SOOOOO excited to be celebrating our 2nd anniversary!!!!  We can NOT believe its been two years already!

In the past two years we have interviewed amazing talent!  We launched with Rasta Thomas and covered men in Boston Ballet, Jon Stafford from New York City Ballet, Ben Griffiths from Pacific Northwest Ballet and so many more!

What a night we have planned too!!!  The evening will start with an exhibit and reception.  Then we will follow this with a q&a/panel discussion with professionals in the industry.  We will cap the evening with a one hour medley of men in ballet, performing!

We are still very much in the planning phase right now, but there are some firm deets that you need to keep in mind!

When: June 24

Where: Performance Garage, 1515 Brandywine St Philadelphia

When: 5-8pm.  (yes, we know there are TWO whens here lol)

 

For this party, we are also looking for pre-professionals who would like an opportunity to perform. More information can be found at the link below:


 http://barreboys.com/join-the-movement/

Royal Ballet’s Thomas Whitehead

Thomas Whitehead… At home, in character…

 For as long as he can remember, Royal Ballet soloist, Thomas Whitehead had always wanted to be a song and dance man.  Often times as a young lad, he would do Michael Jackson impersonations as well as dabbling into break dancing.  It is no wonder that now in his twelfth season with the company that he is very much enjoying the character roles he is doing!    His earliest childhood memories or dreams were to entertain – he wanted to be on the famous West End!

He was sickly as a kid and therefore had a hard time with sports due to asthma, allergies, etc. A doctor said you should try some dance classes so he did.  He started to wean away from the classes as he wanted to watch TV and was involved with the Boy Scouts.  Somehow or another he found himself back in classes at a school closer to his home.  He used to hate class.  Wearing the tights was the worst thing for him.  He used to say to his mom every day, “I can’t go back next week.  I don’t want to wear that cat suit.” Her response was, “Look, you go next week and at the end of the class you just tell her you don’t want to come any more.  Then fine, we won’t take you anymore.”

This happened every week and each week, his mom asked if he told the teacher and he would say no, I will do it next week.  His mom knew he was getting something out of it.  At the time, he was really into tap.  He really wanted to go to the west end and be a commercial dancer.  His dream was to be the lead in a west end show.  Really, he wanted to be Michael Jackson.  Eventually his teacher said to him, you are doing really well, do you want to take a ballet class.

He was about 12 when he did his first ballet class.  At 13 he knew he wanted to be a dancer.  When he first started the audition circuit for schools, he still wasn’t set on ballet.  As such, he turned down an offer at Royal Ballet School and decided to go to Arts Educational which offered musical theater, drama and dance.  Not ballet, just all around dance.

After a year at Arts, he attended a summer ballet at Oxford Ballet Seminar.  Donald MacCleary, who was with the Royal Ballet, asked if he would come to the school.  It was this encounter that really gave him the direction to focus on ballet.  He thought to himself that you don’t get asked twice and made his decision to have a specialty and it would be ballet.  After that, he did two years and a term at the Royal Ballet School then went into the company.

In time, he worked his way up to the ranking of soloist then took a year off and worked for Matt Bourne’s Swan Lake.  After this return to Royal, they noticed something in him and they started to use him a lot more and he began to establish himself more in the company.

At this point in his career, he is doing more character work which he is loving more than ever.  As he says, “it probably comes closer to what I originally wanted in the first place.” He finds himself happy to be out of the white tights and loves playing the “baddies” such as Tibalt.  He made his debut in Ugly Sister last year which was a great challenge for him as he was playing a principal role in this production and was on stage more than the prince.   As such he was challenged to find the character more. So it was more of a real acting challenge versus a demi character role.  It was great in that it made him hungry for more roles like that.

Regarding ballet, Tom prefers more modern work and adds, “MacMillan was making things for men that’s always attractive.  Rudolph in Mayerling is a favorite. I danced Carmen for Mats Ek with Tamara Rojo. That was a high point.  I was low rank in the company.  Mats came in to cast his ballet, complete open audition; all the boys from principal down to… I think Roberto Bolle was in there, Johann Kobborg was in that audition, right down to the last boy who joined, and he gave the role to me.  Even just that was special because I knew I got it totally on merit.  It came back a few years later and we did the same process because he had been away and I got it again.  That type of dancing is to do and to watch is where my passion falls.”

Enjoying more acting now and dancing less, he is finally at a point where he can say, “This is why I am here, this is my place.  This is what I am supposed to be doing for this company.” In his 18th season with Royal Ballet, Tom is finally at home, in character.

Full Bio:

Thomas was born in Bradford, West Yorkshire.  He studied at the Arts Educational School and The Royal Ballet School, dancing in the 1994 School’s performance of Kenneth MacMillan’s Concerto.  While a student he danced with the Company in The Nutcracker and Petrushka.  He joined The Royal Ballet in December 1994 and was promoted to First Artist in September 1999 and to Soloist in September 2002.

His repertory with The Royal Ballet includes featured roles such as the Pas de six and Wilfred in Giselle, MacMillan’s The Judas Tree, the grand pas d’action in The Prince of the Pagodas, Dancing Gentleman and the Gaoler in Manon and Paris in Romeo and Juliet, the Pas de quatre in Gloria, a Brown Skater in Frederick Ashton’s Les Patineurs and Matvei in A Month in the Country, side Neapolitan couple in Ondine, Tom Sapsford’s Horseplay, William Tuckett’s Puirt-a-Beul, the Servant in The Turn of the Screw, Ashley Page’s Sleeping with Audrey, Benno and Mazurka in Anthony Dowell’s production of Swan Lake, principal couple Frederick Ashton’s La Valse, Stephen Baynes Beyond Bach, Nacho Duato’s Remanso, Por Vos Muero, Hilarion in Peter Wright’s Giselle, Jose in Mats Ek’s Carmen, Espada in Nureyev’s production of Don Quixote, Mark Morris’s Gong, Jiří Kylián’s Sinfonietta, the English Suitor and the Wolf in Natalia Makarova’s production of The Sleeping Beauty. Other roles include the Rag Mazurka Boy in Bronislava Nijinska’s Les Biches, Tybalt in Romeo and Juliet, the Fox in Tales of Beatrix Potter and Ashton’s Scènes de ballet.

He has created roles in Twyla Tharp’s first work for The Royal Ballet, Mr Worldly Wise (in which he later danced the Act II Pas de quatre), Tom Sapsford’s All Nighter (1997 Dance Bites tour), Cathy Marston’s Words Apart (Solo Boy, 1998 Dance Bites tour), William Tuckett’s Love’s Fool (1999 Dance Bites tour) Siobhan Davies’ A Stranger’s Taste, Vanessa Fenton’s Ad infinitum and Wayne McGregor’s Symbiont(s) and brainstate (2001) and Qualia (2003).

 

Site Update

Well folks, the good news is the site is back up!  The bad news is we have, at least for now, lost all of our existing content.  However, we will press on.  Onward and upward!

We will begin to add all new content and hopefully recover our old data.  In the mean time, we will work feverishly to get this site back to prominene and continue to bring you the best in male ballet journalism!

Any comments or questions, please email us at boys@barreboys.com!

Thanks so much for your patience!!